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Tuesday, 8 July 2014

The Destruction of Kirill

In seven days' time, my first m/m romance novella The Destruction of Kirill comes out.  It's been a bit of a fraught endeavour and at one point I thought I'd never get it done, so I can't quite believe it's almost here!

It's been an interesting, albeit rocky experience: it's the first story I've ever plotted out in its entirety—which both almost killed it and is the only reason it's finished—and working on the cover necessitated buying a new PC to save my laptop from certain doom, but after everything it's done.

I became very attached to Kirill and Niko while I worked on this, and I really hope that readers will too!

The Destruction of Kirill will be out on the 15th July 2014, and you can preorder copies on Kobo US and Kobo UK, Google Play, Barnes & Noble, iTunes US and iTunes UK.  Other retailers will become available after the release date.

As a thank you for preorders, there's a special edition copy available at All Romance Ebooks that comes with an exclusive bonus chapter.

Synopsis



Born in the workhouse and moulded into an obedient slave, Kirill expected his life to be simple: serve his wealthy owners until they grew bored and sold him, repeating the process again and again until the day he died. He never wanted his master's precious only son to take an unhealthy interest in him, and he didn't expect one single horrifying summer's day to plunge his life into ruin.

Now he has to adjust to another kind of life: one with a man who never wanted to own a slave and has no use for the one he now possesses. But just when Kirill thinks he's finally found normality it all comes crashing down again—and worse, this time it's all his own fault.

Hauled into a world of chaos and destruction by a charming stranger, Kirill struggles to manoeuvre his way without letting both his past and his grief overwhelm him, but is his rescuer all that he seems, or has Kirill walked from one hell straight into another?

Excerpt



Reuben Gamble was two years older than Kirill. He’d heard about the handsome only son of his master and mistress, naturally—always in glowing terms—but had never met him. School and university kept that illustrious young man from home, and even when he’d visited Kirill had never set eyes on him. He’d been too busy working to pay attention. 

Only when Reuben returned in disgrace did Kirill learn the master’s son had been employed for two years after university—not that it seemed he’d been too occupied with work. The servants discussed it at length; with his room just off the kitchen, Kirill couldn’t help but hear the late-night gossip even when he tried not to listen. The tales mostly centred around rumours of debauchery and drunkenness, gambling, late-night carousing and no-shows at work, all of which led to Reuben’s expulsion amid a cloud of debt. All was retold in such salacious detail Kirill wasn’t sure any of it was accurate. Not only did he not want to listen, but all the gossip made him nervous. The less he knew about his master and mistress, and by extension their offspring, the better.

Despite Reuben’s return to the fold, however, life carried on as normal. Kirill helped with the added washing and ensured one extra room was spotless every morning while the family was busy. The most he saw of the master’s son was the occasional glimpse; with his eyes kept down and every hour not spent at his mistress’s side focused on work, that was all Kirill was ever likely to see.

Everything was as it should be. Until it wasn’t.

At midsummer the tweeny left abruptly, her stomach rounder than Kirill remember it being a month ago, and her choked sobs stabbed at his heart. She’d matured into a pretty seventeen-year-old, promoted from between-maid to housemaid while remaining friendly and cheerful; although she’d ceased chatting with him once he’d recovered, she still threw him the occasional sweet smile and once in a while hid food in his room to compensate for his sole meal being after the first sweep of cleaning in the morning. In return he tried to take on some of her work to make life easier for her, and hoped she never noticed.

Even for a naïve slave it was easy to guess what had happened, but he’d never thought of her as the careless type. She never made eyes at the other servants. Perhaps it was a village boy she’d met on her one day off a week. She’d cared for him once, he’d wanted to do the same. He hadn’t loved her—he wasn’t sure a slave was even capable of an emotion like that—but there was an odd protectiveness he couldn’t help and her departure left a crushing pain in his chest. She’d been cast out and there was nothing he could do for her.

No one else was hired in her stead. Some of her tasks fell to Kirill, others to the tweeny that suddenly assumed her role: a girl who’d never expected such hasty advancement and was ill at ease with it. The extra work wasn’t as bad as Kirill had secretly feared and his guilty attempts to eavesdrop on what might have happened to its previous owner were fruitless. Sullen normality returned, punctuated only by low whispers of gossip he couldn’t catch and the times he lay awake at night hoping for her safety.

Two weeks after the maid’s dismissal, Kirill was cleaning an upstairs hallway that connected the spare rooms when footsteps filled the air and sent his heart crawling into his throat. It didn’t matter that he knew he did a good job, he was still terrified that one day the master or mistress would find fault. He didn’t even know why, beyond half-suppressed workhouse memories of what happened when he did things wrong, but it was enough to make him strive for perfection.

His grip tightened on the cloth and he threw himself more fully, if that was possible, into buffing the mahogany dado into a shine as the footsteps grew louder and a shadow passed over him—and instead of moving on, came to a standstill. “What are you doing?” 

Kirill thought his heart would fail entirely. “Cleaning, sir,” he addressed the rail, polishing so hard he felt the muscles of his arm stand proud.

“And you enjoy that, do you?” The voice was both familiar and not, amusement colouring the warm tones.

“Yes, sir.”

“I’m not in the wall. Face me when you speak to me.”

The laughter in the voice was irrelevant, it was clearly an order. Kirill turned slowly, keeping his eyes down. “Yes, sir.”

The voice wore expensive shoes. He remembered cleaning them only hours before, one of the day’s first tasks. “Aren’t you a little too handsome to be doing this menial work?”

“No, sir.” His hands twitched; he resisted the urge to cover his scars.

There was a snort of amusement. “I’m telling you that you are.” Two fingers pressed under his chin. “Raise your head.” 

As much to escape the fingers digging into his skin as in response to the command, Kirill did so.

With a sharp tsk, the hand gripped his chin more firmly. “Open your damn eyes.”

He’d been taught it was only respectful to shut them rather than stare openly at his master, but an order was an order. Nervously, he opened them.

Reuben Gamble gave him a brilliant smile. “That’s much better, isn’t it?” The hand relinquished his chin and brushed away the flash of white hair that fell over his forehead. “This came from the accident? But only the front...” The fingers moved to smooth the black strands over his ear instead. “Will you tell me about it?”

This was the most uniquely frightening situation he’d ever been in. Only his mistress ever asked him friendly questions and he knew the answers he was expected to give, but being addressed so informally by the owner’s son—and expected to answer for himself? He could barely breathe. Stepping sideways with a gesture to the door beside him, he tried to deflect the question: “I’m sorry to trouble you, sir. I’d hate for you to waste your time talking to me—”

Two hands squeezed his shoulders. Suddenly the wall was against his back, the dado hard against his spine; the hands slid down his arms to settle on his hips. “I’d much prefer you stay here.” In one step Reuben was only a hair’s breadth away, each word tickling Kirill’s nose. “I’ve been fascinated by you for a while now. My mother’s always had impeccable taste.”

The hands on his hips slid down to gently cup his buttocks. Kirill flinched as they dragged him fractionally closer, just close enough for the older man’s interest in him to become evident. His voice came out as little more than a whisper. “S—sir, what are you doing?”

His backside was released, only for the hands to shift upwards again: one to his chest, just above his heart, and the other to slide between their bodies and stroke the front of his trousers.

With a terrified squeak he twisted away, freed through sheer dumb luck than real intention. Leaving his equipment where it lay and without daring to look back, Kirill fled his master’s son and bolted down the stairs.

There was no sign of Reuben when he crept back, heart in his mouth, to pick up where he’d left off; he’d never before realised relief had a taste.

Wednesday, 18 June 2014

Collecting Shinies

Today, the awesome Danni blogged about the things she collects, and it got me thinking.  I know I collect stationery, that much is obvious (and usually either her's or Clairabel's fault, I firmly maintain), and what started out as a fondness for gel pens is starting to grow into something a little worrying now.

I collect books too—but that's kind of obvious too.  I've got a to-read stack that's reaching alarming proportions, and it's not counting all the Kindle books.  I can't help that either, because books just look and smell right.  They're a comforting weight in your hand, and a less comforting weight on your shoulder when you're trekking back to the bus station.

I'd love to collect models, but they're usually eye-bleedingly expensive.  I stick to the Togainu no Chi Shiki and Akira figures I got a few years back, even if Akira is a pain to dust; they're both gorgeous and so far most people overlook the fact Akira's flashing his underwear.

So I thought about it some more, and then I realised with a faintly sinking sensation that what I actually collect is computers.

Not in the "new one every year, cutting-edge technology" sense—not that I wouldn't love to—or the "obsessive Apple fan" way (I don't own anything Apple), but in a more haphazard "I need something and then I get grossly attached to it" or (more often) in the "I don't need it but I don't care" way.

So... uh...

I should introduce a new member of my family now, shouldn't I?

This is the latest part of my collection and part of the first category of 'needs': a new desktop PC bought for the intention of actually being able to render images in less than five hours without crashing at the thought of it being 2500px tall.  Here I'll qualify that this isn't actually something Sixteen's can help: he's a laptop and they're not really designed for things that make them overheat quickly, such as colossal images that only Amazon want at that size.  (The image on the screen is at 2500px tall, for reference; that's a 17" monitor and the image reaches to Kirill's hips.)

The dusty desktop in the background isn't mine, by the way.  It's my mother's, and she never got round to naming it.

So far it's working well.  We've had some issues with my 3D content that are nothing to do with the PC and everything to do with the issue of absolute pathways in save files and changes in OS—I'm only familiar with Windows 8 in terms of 8RT on the Surface so it's taking some getting used to—and maybe a few computer games have sneaked onto there (but they work so nicely I couldn't possibly ask them to leave again...).

There has, in fact, been only one real issue.

The "Name your PC" screen cropped up and I had a complete brain freeze.  It's like naming characters in games: it's something that requires great thought, lest you give it a strange or inappropriate name that completely skews either its personality or your perception of it (depending on which camp you're in in that regard).  And what with my newest project being on my mind a lot lately, I may have called it "Echo".

Still, it could be worse, right?  I could have named it after a man who went mad and coded himself into a computer system.

Hell, one day I'll end up naming a computer Durandal and then I'll be really screwed.

So... please say hi to the newest member of my technological family and most recent part of my favourite (and most expensive) collection!

Monday, 16 June 2014

Writing Dust & Ash: Starting The Process

The other night, I wondered 'aloud' on Twitter whether anyone would be interested in following the creation of a book, from first flailing ideas to an actual finished product, bearing in mind that I am about as far from a proper, professional author as you can get.

One person liked the idea, so guess what?  I'm doing it.

Not just because Danni was interested (though it is a big part of it—no one wants to work on something no one's interested in) but also because it's something I might learn from the experience of and—fingers crossed—help keep me focused.

The project I'm going to be working on is one that crashed into my head a couple of days ago out of nowhere (I suspect it got lost en route to someone actually competent's imagination) and, in my case, the 'working on' bit of the process usually comes after characters with names decide they're going to infest me.  Sometimes even when they don't have names.

And 'names' is exactly where this all started, so it's where I'll start.

The Initial Idea


One thing I have in common with a lot of other writers is a notebook I use to jot down names that have either come to me out the blue, or I've seen somewhere and liked, or that might not even be names at all but could be worked into one.  They either sit on the page and wait until they're needed, or they randomly attach themselves to characters: for instance, Kirill wasn't supposed to be called Kirill, but once the name was attached nothing else seemed to work until I stuck with it.  In this case, I'd jotted down two names a couple of months ago: Dust and Ash.

So far, so generic.  At the time, I looked at it and thought, "I bet they investigate supernatural crimes in modern fantasy or something," and promptly forgot all about it.

I was working when suddenly I realised, apropos of nothing, that Dust was a twin and his brother was called Echo.  Echo had been born second, was a little smaller, a little quieter, and followed his brother everywhere.

And then I realised that Echo didn't follow his brother everywhere; he'd led the way once.  Echo was dead.

Refining The Idea


It's not much, but it's a place to start.  Now I've got the kernel of an idea, I've got questions I can ask: why is Echo dead?  How does Dust feel?  How does Ash, Dust's best friend, take it?  What genre is it?

For me, this is the part where I start to work out the plot.  Life is significantly easier when the plot appears first because you can sit down and start to work out the kinks almost immediately, but in this case I've still got a lot of work to do before I can get to that point—like find the plot.

For me, this involves asking more and more questions and writing down everything in another notebook.  Being me, I have different pens and inks for different stories at this stage: it's handy if you use one notebook for every idea.  I don't do it all in one go—I can't, it doesn't all pour straight out of my head, although damn I wish it did—so I write what I can and go away and do something else, and if something else comes to me, whether it's a question, an answer or a random idea, I scribble it down.

Music Helps


No, really.  I'm not kidding.  Sometimes, something in a song can spark an idea I might not have otherwise had, or made me realise something much quicker than I would have without it.  I usually construct playlists for stories I'm working on, which is partly a procrastination exercise (my favourite hobby), and partly because while I might not actually hear it while I'm writing, as I tend to tune it out, it helps keep the outside world from encroaching—always handy when you share an office with a parrot—and feels like it helps keep me focused.

In this case, I'd heard a song on the radio in the supermarket earlier and I couldn't get it out my head, so I looked it up on YouTube.


While listening to the lyrics, I realised something important: Echo's body might be dead, but Echo himself is not.  This gives me the genre: fantasy of some flavour.  And if Echo's soul is somewhere else, then it means someone has done this to him, which gives me the shadow of a villain—and a lot more questions.

And for no apparent reason, I can see a tea shop / café, which gives me something to think about for world building: what kind of fantasy world needs a tea shop?  Probably a fairly affluent one with good trade links and plenty of social time; now I can start to work out where Dush, Echo and Ash live.

This is about as far as I've got.  I still need to work out who the villain is and what he gained from doing what he did, what Dush and Ash are going to do about it, and an actual plot (always a good idea, right?), but it's a starting point.

Next time, I'll talk about plotting and, hopefully, I'll be able to start working on this in earnest.

Sunday, 15 June 2014

Craft Sunday: A Slightly Less Nekkid Box

I know I said these would be occasional but I guess this is a little ridiculous.  Sorry about that.

Still, I've not had much to blog about in this regard.  Or at least, looking at all the photos, it turns out that how I feel and how I've been documenting it haven't quite matched up, so this might turn out to be a little longer than expected.

Two months ago, shortly after my first post, I met up with my fellow Notts NaNoers (my local writing group as well as my local NaNo group, and all at least as odd as me in their own ways) and after chat and food, @anikadaniels and I went and examined the paint department of the Broadmarsh Wilkos.  To be honest, I didn't have much idea what I was looking for and I'm pretty indecisive, so having Anika with me was a great help, particularly when it came down to narrowing a surprisingly large amount of wood stains and varnishes down to particularly 'steampunk' colours.  We settled on Teak and Antique Pine.

The first thing I've learned about painting wood is...

Shake the goddamn bottle properly.

That, to the left, is Teak.  Or at least, it would be if I'd given the bottle/can the thrashing it clearly needed, because it came out looking remarkably pine-y.

In hindsight, that photo is hilarious.  You'll see why, assuming you haven't already scrolled down or seen a later picture.  But still, let that be a lesson to you all.  If you're going to paint something, really, really shake the can, because otherwise you'll end up with a wishy-washy colour.

So I picked the damn thing up and gave it a proper shake.

Significantly better results.

Still a bit light though; I wanted to go for something deep and rich.

It should be noted here that I'm doing all of this with a very cheap paintbrush that I'd bought specially for the job.  I've got proper paintbrushes and there is no way I'd use one with wood stain or paint, but cheap ones from The Works do a remarkably good job, even if I had to clean what looked like glue off the one I'd chosen for the job—which came from a sealed pack.  I suspect whatever they used to glue the bristles in leaked somewhat.

So I kept on and the more coats I applied, the darker it got, until I
settled on a nice dark colour.

Using a brush gave the effect of it being made out of real, solid wood, rather than the balsa wood it's actually made out of, and looks better in person than these pictures would lead you to believe.  I started out by painting the inside of the box just to test it (and you can see why above), but after a while it became...  I don't know, just something that felt like it should be done.  I know I'm planning on covering it over, but it didn't feel right to leave it naked.

I'm undecided about covering over the inside top as well, so I painted that too.

It's quick-dry paint so it didn't take too long to get through layers, and I still have a lot left which is handy as my mother has now put in her request for one too.  (I don't think I can make an industry out of it.  I'm having a hard enough time sticking to writing.)

I've designed the top, but it's still as yet unpainted, because I'm not wholly sure how to approach it.  I don't know whether to outline the cogs in waterproof pen and then paint, as the cogs are supposed to be Antique Pine while the rest of the lid matches the box, or whether there needs to be a design in the middle.  I've considered buying watch parts too and simply attaching a real cog in the center.

On that note, if anyone knows of any good UK-based sellers of steampunk construction pieces or jewelry box items, I'd love to know about it.  I'm particularly looking for interior chains to stop the lid opening all the way, but anything would be good.

All that was done over the course of May.  At the start of this month (June), I headed to John Lewis in the Victoria Center with @SplitShilo and @AgentNotts, where we proceeded to ooh and ahh over the various fabrics, some of which are eye-wateringly expensive.  If I won the lottery I'd just camp out there and sniff material, I swear.  We examined all the fabrics and I stupidly neglected to bring the actual box along to check colours, but both my friends are very talented artists and could take a good guess at the colour I meant, and in the end we settled on this particularly nice burgundy taffeta.  I only bought half a metre (£3) but there's a lot there for the size of the box.

I've yet to figure out how to actually line the box, so any details there would be greatly appreciated.  It's probably not a good idea to start a project like this without any actual idea what I'm doing, but being thrown in at the deep end is the best way to learn.

Probably.

Not that I could resist the lure of all the fabrics entirely.  I did end up splurging on some expensive but beautiful material.

I've got no idea what I'll do with it, but the squares are surprisingly large and the material's pretty thick.

I even ended up buying a £35 sewing machine (for light work).

Now I just find myself wishing that my sum total knowledge of sewing wasn't a couple of weeks of art classes where we all made T-shirts to a pre-ordained design and size.

I still have it, sixteen years later.  It still fits.

That doesn't say much for the T-shirt; I hope this is a much greater success.

Wednesday, 11 June 2014

Adventures With The IRS - Receiving An EIN

As I'm in the preliminary stages of preparing for my first "proper" ebook release I realised that I needed to stop faffing around and (finally) apply for an EIN from the US Internal Revenue Service.

The thing is, I'm terrible with phones.  Anything that involves calling people I will try to put off time and again.  It's hard to believe that I was actually a legal secretary once upon a time (well, four or five years ago) and therefore had to field calls all the time.

As a result, it's been pointed out to me that with the amount of time I've now spent avoiding calling the IRS, I could have just faxed them the relevant form and had the EIN...  so, with that in mind, I loaded up Skype with £10 credit, sat in my office, steeled myself and gave them a call.

Whereon, having selected option "1" from the automated system... I promptly ended up on hold.  Their opening hours are 6am to 11pm EST so I was actually ringing around 10am, pretty much when other people finally screw up the courage to ring about tax issues, but I was only on hold for about 6 minutes, which was impressive.  If I'd been ringing the UK version I'm pretty sure it would have been significantly longer than that.

When my call was answered, I'm not entirely sure I made myself clear straight out the gate (I'm really out of practice with phones...) but once we got past my stupidity and he identified the fact that I'm clearly an idiot he spelled everything out for me and made it all significantly less scary.  We went through the form SS4, which I'd already filled out in Acrobat (you can download both it and its help file here), and I discovered that I am apparently unable to phrase the letter "D" (it's the Midlands English accent), which made life difficult as my address contains a few of the little blighters... but about ten minutes later he gave me my EIN and also answered my question on whether I have to file a 0 amount to the IRS for tax purposes (the answer is no, you just file taxes in your own country as normal).

So I'd like to extend a huge thank you to the lovely Mr. Witt, should he ever see this (and hopefully I've got his name right; I'm terrible when I panic), because he spelled my name properly, he made the whole process easy, quick and painless, and he also made me laugh (intentionally).

If you're putting off getting your EIN because it seems daunting, or because calling the US is a frightening and potentially expensive experience, don't.  It's a super-easy process, especially if you've already completed your SS4, you get your number straight away over the phone with a confirmation posted to you, and the best part?

As I called using Skype, a 15-minute phone call cost me 35p.

Efficient and affordable.

Tuesday, 27 May 2014

Unboxing: Watch_Dogs Dedsec Edition

Long time no post!  It's in part due to the fact that I'm actually writing The Rose Queen—I know, me, writing; whatever is the world coming to—and partly because I am a lazy arse.  I'm pretty sure you've already noticed the latter.

I didn't feel like I was making much progress with The Rose Queen to be honest, until I actually paid attention to my total word count last night and realised it's currently at 21,000 words.  So... not a novella then.

Short update aside, that isn't what this post is about (I'll maybe do a dedicated one later on).  Nooo, this post is about the downright huge box that arrived this morning.

Meep.  AC:IV for size reference.
 I normally preorder games from Game due to things like shiny reward points and supporting British game stores, but in this case they'd actually sold out of the Xbox One version(!) so I bought it from Amazon instead.  That comes with the added advantage of coming via Amazon's delivery network, which now they've worked out the kinks is pretty good and means deliveries arrive when they're supposed to.  Anything using the Royal Mail here is at the mercy of the postman—which can mean anything from the delivery driver shoving a "You Weren't In" card through the door when I plainly was, to returning items without attempting to deliver them because they were damaged by postal staff, to outright theft.  (Yes, all three have happened to me; the first and last most recently.)

Rant aside...  I thought the size of the box would be misleading, because sometimes things are packed to the gills with paper and plastic, and the contents are tiny.


And to be fair, when I opened it, this was the first thing I saw, so you can't blame me.  So I dug in, started fishing around in the box and realised...

I hereby claim this box...

It wasn't misleading at all.  I was not expecting that.  The last special edition I ordered was DmC, which came with a hoodie, soundtrack CD and DLC, and all items were separate in the cardboard box.  To have it arrive in a nice box was... unexpected, although possibly shouldn't be because Ubisoft have a history of nice packaging.

The skinny little legs in the background belong to Q, a cat with a pathological love of boxes.  He'd perked up when I bought the box in, and now he was going to nonchalantly come and 'look'.

Once I unwrapped the packaging (so much for Amazon's eco-friendly stuff, the amount of plastic that went into covering this!), I was again surprised.


The box is nicely designed and the inside packaging is designed with a place for every piece of the special edition kit—although in my case, a lot of it had slid down during transit.  You can see the bottom of the Augmented Reality card box beneath the game box, which should have been much higher up, but all the contents were safe and undamaged.


The full extent of the contents is still surprising, considering IMO the price isn't that much higher than a standard Xbox One game.  It comes with a fairly large and very nicely detailed Aiden Pearce figure, soundtrack, AR cards, map, artbook and three badges as well as the steelcase box.  Aiden comes in his own safe packaging to protect him, so he hadn't budged in the slightest in transit.  I've yet to find a good home for him (he's bigger than Shiki and Akira on my desk, so between them doesn't work) so he's gone back into his box for now.  Everything seems nicely detailed: the artbook is hardback and filled with beautiful concept art, the cards come in a staggered file-type packaging with their own box, and the map is made of glossy, good-quality paper and fits neatly into the steelcase box for handy reference.

By this point, I'd moved the packing box and paper contents to one side; you can see Q eyeballing it.  He hopped in not long after and proceeded to traumatise the parrot, who thought a kraken had moved in under his cage...

So, that's the unboxing of the Watch_Dogs Dedsec edition.  If anyone wants closer, more detailed pictures of anything, just let me know and I'll see what I can do.

I've not even had a chance to play it yet!  That's this afternoon's entertainment...

Friday, 16 May 2014

No-Nonsense Reviews - Objects in the Rearview Mirror by F. E. Feeley Jr.

Pros
+ Intriguing, moving story
+ Relatable characters
+ Emotive subject

YMMV
+/- Some references to earlier times in characters' relationship are never expanded on

Cons
- The writing reads a little oddly in places
- The last part of the epilogue felt superfluous

I remember vaguely reading an effusive comment about this book that prompted me to go and check it out on Amazon and, curious, I bought it, but I wasn't quite sure what to expect.

What I got was a surprisingly touching paranormal tale about a haunted house and a loving couple, and I absolutely could not stop reading it.  The characters felt real and spoke in a convincingly human way to each other and to friends in the story, and I really rooted for both their relationship and their sanities to remain intact.  The plot itself is intriguing, although very different from how I'd expected after the prologue, and although I kind of saw the end coming, I didn't expect its execution, which was pleasant.  Even the moral (there is one but it doesn't get in the way, I promise) is good—and is well worth remembering.

It's only when I added it to my Goodreads read list that I discovered that this is actually book #2 in the author's "Memoirs of the Human Wraiths" series, but it reads nicely as a standalone novel.  Although I marked the final paragraph of the epilogue as a 'con', I'm not sure if it may actually relate to the first book (which I'll very likely pick up now), or if it'll become relevant further along in the series, but as it is, it just feels a bit redundant and nonsensical.

Also, I don't often comment on covers, mostly because I barely notice them when they're Kindle novels, but the cover artwork is beautiful.

I've not seen that many new ghost stories (or maybe I'm not looking in the right place?), but it's nice to read a good (and genuinely creepy) example of the genre.  I'm really hoping that the author writes more!




Footnote: while I was reading this book, we discovered that the toilet paper in the downstairs loo had decided to empty itself onto the floor for no apparent reason.

Friday, 9 May 2014

No-Nonsense Reviews - Forest of the Forsaken: The Witch's Snare by Joanne Brothwell

Pros
+ Interesting modern premise
+ Had good moments making the reader doubt themselves

YMMV
+/- The relationship between characters developed too quickly

Cons
- Disappointing ending

I picked up The Witch's Snare based on its premise as being a modern-day Grimm's Fairy Tale, which it most definitely is, but for the most part I considered it to be a 'middle of the road' kind of read.

It was well-enough written, well described with good sex scenes, but I found the development of the relationship between the two main characters too fast to be particularly believable.  Luckily it wasn't as incest-y as the description seemed to imply (I don't like incest stories, but I'll give anything a try once) and there wasn't any interaction between the characters before the plot started.  Although, considering the suspicions of both main characters, that they agreed to go along with the plot at all felt a little weird and slightly off—if I had the suspicions they did, I'd have run a mile.

The witches themselves were nicely creepy, particularly in the middle of the story, and I found myself second-guessing my theories a lot, particularly in an "is she-isn't she" kind of way which was nice, even though rationally I already knew the answer.  That's always the downside to reading a story based on an established tale.

Considering the nature of the plot I'd say there are little surprises in store, but some twists were interesting, but the ending came too abruptly and too neatly for me.  I'd have liked a little more and, although everything was explained, it somehow didn't feel explained quite enough to be fully satisfying...

Friday, 2 May 2014

No-Nonsense Reviews - The Carr Family series by Susan Coolidge

Pros
+ Easy to read and hard to put down
+ Fairly short books
+ Likeable characters

YMMV
+/- Victorian novels, so heavy on the morality
+/- The fourth book moves focus to a secondary, less likeable, character

Cons
- The third book does not give a good account of Americans (particularly children) abroad

I was given the first three of these books as a child (there is a fifth, which I've not read), although I only really remembered the first two and part of the third.  When I first got my Kindle I found these free on the Amazon store, but I only remembered I had them recently and decided to re-read them.

The first three stories revolve around Katy Carr who starts out wild by Victorian standards, but with a kind heart, and follows how she is eventually 'tamed' with the aid of a sainted cousin and a life-changing event.  Even when she's bratty Katy is likeable, and she grows into a sensible young woman who still retains a little fire and temper while still being the model of Victorian womanhood.

It was obviously written as a kind of manual for how young Victorian women should be and can be pretty heavy-handed with it, but it is typical of its time, so to judge it too harshly for it or view it with modern eyes would be to do it a disservice.

The first two books aren't too bad, but the third makes American travellers to Europe seem unbearable, particularly the child, Amy, who becomes a complete and utter brat—definitely my least favourite out of the four I've read.

The fourth breaks away from following Katy to follow her younger sister Clover instead, which is an interesting change but I didn't find Clover, sweet as she is, as engaging as Katy and it doesn't hold the interest as much as the first three.

They're interesting reads for a snapshot of Victorian America, and they're apparently semi-autobiographical too, and they make an interesting change of pace, but I think it'll be another fifteen years before I feel the need to read them again.


Friday, 25 April 2014

No-Nonsense Reviews - First There Wasn't, Then There Was by Troy Blackford

Pros
+ Brilliantly written and difficult to put down
+ Gripping story
+ Unexpectedly emotional

YMMV
+/- Near-impossible to categorise

To be honest, this is the most difficult book I've ever tried to review or describe.  It's just... so different, and that's not a bad thing.  It's just a little awkward in this situation, because many parts of it that make it so remarkable would be giving away spoilers.

It's well written and very difficult to put down once you've started it, but as it's quite short it's a two or three hour read.  The story flits from the present to the past, but the interruptions are well done and although I was a bit dubious about the modern-day office boys to begin with, they grew on me and shared my sense of "wait, I want to know what happens!"  Each chapter is masterfully finished, which only compounded the issue of "can't put it down!"

At one point, I was a bit confused to find myself crying at it.

I'm not sure whether it's a supernatural story, or a metaphysical one, or a metaphor for something and to be honest, I don't really care. (Although for me, I liked to take it at face value as a supernatural story.)

It's a bloody good read.